On the 19th January, I went to
an art gallery with my classmates in Fo Tan. It was a free exhibition called
Fotanian, committed by lots of local and oversea artists and was held for 3
weekends started from the 5th January. Since nowadays the industrial
buildings in Hong Kong, such as those in Fotan, are left empty, artists started
to make use of the empty lofts as their studios. There they are, the galleries,
where the artists work on their projects. There were many buildings in the area
included in the event. However, due to the limited opening period of time, we
had just observed one. That is, Wah Luen Industrial Centre block B.
Yet had we got our foot stepped inside the
lobby, the ladies at the reception counter stopped us.
‘ I personally recommend Lee’s workshop on
the 12th floor.’
It was like a relief. As we had no idea of
where to begin, that studio was a really good start-up point. While we explored
through the room, we found out that the artist was a keen user of metal. Colors
used in the room were all in a cold tone. As well as this, through the
description book placed on the desk, we noticed that many of his works are
being displayed in MTR stations and shopping malls. Clearly, the art pieces of
his are widely accepted.
There was one piece that impressed me very
much, which is called, <Tree>. It is made of rusted metal branches in different
shapes. Rod shapes, square shapes, they are all arranged in different height as
tree stem. However, there is still one essential element of a tree missing---
the fruits. Lee used rearview mirrors as fruits to make the ‘tree’ even more
believable. Some may ask, it is just an ordinary tree-like-art, why does it impress
you so much? It is actually the meaning behind that attracted me. The artist
said in his book that this piece is conveying a message: If you are facing the future,
you need to look back to the past. That is why he used rearview mirrors. They
stand for: recollecting the past.
I found a great resonance on the message. In
our everyday lives, it is rather dangerous for us not to learn from the past.
We need to learn from the mistakes we had made in order to get a better results
in the coming events. Either it is an exam or a love relationship, the past, do
matter. And by reviewing our past, we got to know ourselves more. I was on an
important role of a committee group in my secondary school. At first, I didn’t
notice that some characters in my personality are not so loveable. However, through
the rather harsh, or say, real and direct comments given from my committee
members, I learnt to think what I had done in the group. From reflecting on myself,
there are improvements have been made. Now, they all say: you are now doing
better.
However, although the meaning was really enchanting,
the grim atmosphere of the studio somehow made us uncomfortable. Therefore, we
decided to move on to another room. It was Laiyan projects on the 16th
floor that we visited next. Just as we entered the room, we were surprised by
the big contrast. The studio was so cozy! There was pink sofa, white
walls, and even kitchen inside! The colors and soft music played in the room
gave us a warm sense. The owners of this gallery are Peter Benz and Cornelia
Erdmann. Cornelia Erdmann is a familiar name to me as she is the
creator of The People, but this time, it was another piece of her caught my
eye.

In clover, a wall installation, was placed
on the wall by the door side. It was made of stainless steel. The metal were
cut thin and made to a two-dimensioned tree. There are small leaves and thin
branches. By only looking at the tree may find nothing special. However, when
you look at the insects attached beside the tree, you will find it not only
amazing but also smart. The stainless butterflies, dragonfly and ladybird bodies
are all cut into half. But, the half bodies of the insects are made to see like
whole. The artist used spotlights shining in different angles to create
three-dimensional complete insects with only half of their bodies. Girls love
shinny things. This shimmering In Clover is definitely eye-catching and beautiful.
I kept admiring the creator’s smart use of light while looking at the glittering
butterflies. Later on, I noticed that this kind of installation was also brought
into hotel rooms as decoration.
The exhibition was really a blast. But
there was still a little interlude. When we went on to another studio,
a poster stuck at the door surprised us all. It stated that an artwork was
stolen and hopes that person can kindly put it back. It was kind of reflecting
how people respect the word 'ART'. To me, if you like that piece, you can take
some pictures or even talk to the artist to get to know more about the art, but
definitely not taking it away without permission. The end of this story
was left an unknown as we go into the room though.
There was a wood-made sculpture called <The Spaceship of Fools> that amazed us. It was a ball-shaped sculpture formed by lots of small wooden statues. All of them have different faces and ‘height’. Some of them have similar faces to the mask in a movie—Scream. That
was what we find funny about.



Within the sculpture, there was only one among them painted gold. As the artist—Mr Wai-Lun Chung was standing beside; it became a golden opportunity for us to ask.
‘Why is that one gold in color?’
‘There are always rich and poor in this
world, but both of them seldom do anything to the Earth.’
The answer triggered even more curiosity,
so we went on asking about why he say so, what was the purpose of the work and
how did he make this happen.
‘Have you ever heard of ‘The Earth we are
living in is a large UFO? It takes all of us travel around the universe.
However, it’s now cracked. What’s more, none of them knows what to do, not even
the rich.’
No sooner had he said the ‘cracked’ word,
we realized there was a rift. We discovered that the ‘people’ on the
‘spaceship’ were looking at each other with shocking expressions. They seemed afraid of being stuck on the ship. Indeed, this is what our social norm
nowadays shows. Every one of us knows about the problem happening on Earth. For
example, global warming, strong demonstrations, protests, etc, all of them are
known facts but little of us tried to do things to help in the situations. However,
when we asked: Did you make this to reflect on the lack of environmental
protection? He didn’t say yes or no but ‘Maybe’. There was a short pause, thinking,
as if we were all reflecting on ourselves. Moments later, we got to know that
the statues were all hand-made by abandoned woods. They were carved after different
level of burning so as to create their own colors. The artist’s gave us a feeling that he did everything with no original intension. Yet, the art piece ended up
thought provoking.
Art, was once a distant word. However, I find
this word basically is our daily life after the event. Things what you see may
not be what it is. The hidden messages can make them different. All in all,
Fotanian worths visiting again and again. I will definitely recommend it to my
friends and family.
﹣the Scream photo gives credits to http://www.ascot-elite.ch/modules/obomovie/media.php?page_id=1&lang=1&suisa=1007.950
﹣the Scream photo gives credits to http://www.ascot-elite.ch/modules/obomovie/media.php?page_id=1&lang=1&suisa=1007.950





You have a nice style of writing, it was fun to read. It would be interesting to think further on what creates this distance between us and art, as you have touched upon at the end. Some people desire art exactly because it is almost unattainable and exclusive, and others believe that it should be for everyone everywhere. So where does the value of art lie in?
回覆刪除sorry to say that but I found you are commenting more on my language than the art work analysis that I've written.... Maybe there's too little words focusing on this part :p
回覆刪除By the way, I think the word 'art' means differently in eveyone's life. It's true that many of us love something that's unattainable(weird way of thinking), but, to me, it's the attitude of the artist that attracts me. They put their feelings, their thoughts upon their works and this is what make the products unique and people admire the artist as well as their art. I personally think the so called 'admiration' is exactly where the value of art lies in. If there's no one knows and understands about the art, can it still be said as art?? I don't know...Just some messy thoughts :S
You are exactly right that our admiration towards the artist is closely tied into what we value as art, and that art is not a pure idea or existence but a notion created by us and our culture. However, my initial question was towards your shift in attitude at the end of you visit, "Art, was once a distant word. However, I find this word basically is our daily life after the event." I was curious about what creates this separation in the first place - what constructs our notion of art. Already in your comment you say two things: "art is different for everyone", "Art needs a general knowledge or consensus to exist." How can we define art in way that is true for both statements?
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